The first stage of development to realize this work takes place within software engines; where new modelling techniques have been explored that combine both the artistic freedom of digital sculpting tools, with simulated mapping algorithms.

The relevance of this method is to allow for sectional editing in real time; giving a great deal of control over the final form, with the possibility to compare many different design variations in a non-destructive fashion.

Consisting of 98% Bavarian quartz sand, the resulting object is impressively durable considering its delicate appearance. A natural resin binder is impregnated after the printing process to further strengthen the structure, while preserving its original colour and texture.

The technique was also chosen to minimise resources and waste, as excess material can be recycled and because of low melting temperatures, less energy is used than traditional means.

Even with some of the most advanced production technology, realising this piece physically has seen many challenges. Until recently, producing objects with this kind of geometry, at scale and from aggregate material, would have been near impossible.

However, recent innovations have allowed these boundaries to progress and through this collection, the aim is to stretch these limits and push them to their furthest degree.